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Hitomi Hasegawa
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PEEP SHOW
Has the Computer become the Contemporary Peep Box?
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Endnotes
[1] http://en.wikipedia.org/wiki/Peep_show


[2] Hans Richter, The Struggle for the Film --Towards a socially responsible cinema. London: Scolar Press, 1986 (1976):


[3] Laura Mulvey. "Visual Pleasure and Narrative Cinema," Berkeley: University of California Press, 1975.


[4] Thomas Y. Levin, Ursula Frohne, and Peter Weibel. CTRL[Space] Rhetorics of Surveillance from Bentham to Big Brother. MIT Press, 2002.


[5] Elizabeth Cowie. "The Spectacle of Reality and Documentary Film." Documentary Box, vol. 10, 1997.


[6] http://japan.cnet.com/news/media/story/0,2000056023,20345070,00.htm.


[7] http://techcrunch.com/2010/08/21/facebook-1984/


[8] William G. Staples, The Culture of Surveillance. Discipline and Social Control in the United States. New York, 1997: 57.


[9] Sophie Calle, Suite Venitienne (1979)


[10] Sophie Calle The Detective (1981)


[11] Ann-Sofi Siden, Day's Inn (1997) Who Told The Chambermaid? (1998).


[12] Dan Graham, Time Delay Room I (1974).


[13] CTRL[Space] Rethorics of Surveillance from Bentham to Big Brother, 2002, ZKM Germany.

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