Formed in 2004, no.w.here is a not for profit artist run organization based in Tower Hamlets that combines film production alongside critical dialogue about contemporary image making. As an artist run platform no.w.here supports the production of artist works, runs multiple workshops and critical discussions, and actively curates performances, screenings, residencies, publications, events and exhibitions. no.w.here's national and international projects explore political and aesthetic questions around contemporary image production and systems of distribution and no.w.here’s ideas come directly from a participatory artistic practice that does not take these terms for granted. no.w.here is committed to high quality collaborations from major museums to local initiatives. Recent projects include "The Cinema of Prayoga": a 5 year research project and UK tour of Indian Experimental film: "The Free Cinema School" a contemporary film pedagogy: "Sequence": a new journal of artists writing on the moving image: "Light Reading” a platform for direct discussion between artist and audience: "Instructions for Films" films made without the camera and "Image | Event" a platform for critical discourse within the "Image Mouvement" exhibition at the Centre for Contemporary Art Geneva. no.w.here was founded by Karen Mirza and Brad Butler. www.mirza-butler.net.
no.w.here's bespoke film equipment is not available anywhere else in the UK.
no.w.here now operates a peripheral shop! Purchase publications and film stock, book into workshops and join membership here
Donate to no.w.here now and help build our community:
Frequently Asked Questions
Please refer to this guide before making an enquiry:
Frequently Asked Questions
Artist and co-founder, email@example.com
Artist and co-founder, firstname.lastname@example.org
Film maker and head of lab and education, email@example.com
Filmmaker. Freelance 16mm B/W processing technician at no.w.here
Filmmaker. Freelance 16mm B/W processing technician at no.w.here
Writer, Curator, Lecturer. Associate Curator at no.w.here
Artist, Editor of Sequence Magazine
You can book an appointment to visit no.w.here from Tuesday - Friday, 10am - 1pm, and 2pm - 6pm. Saturday by prior arrangement.
Tours of no.w.here can be arranged at a week's notice. You are advised to call us if you wish to collect stock in person.
Telephone enquiries are taken from Weds - Fri.
First Floor, 316-318 Bethnal Green Road
Telephone: +44 (0)207 7294494
£120 per calendar year
no.w.here is a community organisation which operates on the basis of membership. Becoming a member provides you with access to the film laboratory facilities at no.w.here, and additionally entitles you to subsidised film stock purchases, film processing at members rates, and discounted 16mm film transfers. Using the lab includes the free use of the steenbeck editing tables, the rostrum camera, and contact and optical printers (providing you have already undertaken a no.w.here workshop in their use and have demonstrated competence in operation). Membership also provides discounted entry to events and substantial discounts on workshops and courses.
Find out more and join online here
Razwana Akram is a partner at Simons Muirhead & Burton, a London based media law firm. She is a commercial lawyer with specialist experience in intellectual property law and financing, with emphasis on Technology, Media & Telecommunications. Razwana provides advice on all aspects of development, production, financing and distribution as well as media finance. She acts for a wide range of clients from the Film and TV industries, institutional and private lenders, and investors and sponsors, both domestic and international. She also works on a number of cross-border transactions, in particular UK/US and UK/emerging markets related projects, and advises on international structuring and security. Razwana has also worked at Universal Pictures International Entertainment.
Paul Goodwin is an independent curator, urbanist and researcher based in London. His interdisciplinary curatorial and research projects have extended across the fields of contemporary art and migration, Black diaspora visual cultures, art in public places, critical curation and emergent urbanisms. From 2008 until 2012 Paul was Curator of Cross Cultural Programmes and then Curator of Contemporary Art at Tate Britain. He is currently Professor of Black Art and Design Studies at the University of the Arts London and MeLa Project Research Curator at the Royal College of Art (Museums in an Age of Migration, EU funded international research project).
Omar Kholeif (EGYPT/UK) is Curator at the Whitechapel Gallery, London, Curator at Large at Cornerhouse and HOME, Manchester, and Senior Editor at Ibraaz. He specializes in contemporary artist film, video and emerging technology with a focus on contemporary cultural practice within the broader intersections of North Africa and the Middle East. His writing appears in The Guardian, Art Monthly, Wired, Film International, Frieze and Artforum International, as well as in numerous catalogues and books. Previously Omar was Curator at FACT (Liverpool), a curator for the Liverpool Biennial, Artistic Director at the Arab British Centre, Head of Art & Technology at SPACE, London and founding Director of the UK’s Arab Film Festival.
Sarah Perks is an international curator and producer with over ten years experience of contemporary visual art, independent film and engagement. A specialist in artist feature length film (setting up Cornerhouse Artist Film in 2011), performance and participatory art, Sarah has worked extensively with international established artists including Phil Collins, Jeremy Deller, Rosa Barba, Rashid Rana, Clifford Owens, Jamie Shovlin and David Shrigley. Recent curatorial credits include group show 'Anguish and Enthusiasm: What Do You Do With Your Revolution Once You’ve Got It?' and Los Angeles performance and video artist 'Stanya Kahn: It’s Cool I’m Good'.
Volunteers & Interns Statement
no.w.here has made a collective decision to terminate our internship program. This is a stand against the normalization of internships in the cultural sector as an expected supply of free labour.
However, we are also aware that due to the size of our organisation, we are not able to provide the level of support, professional development and training an ethical internship should offer.
Instead, we are moving to a volunteer support network for no.w.here. The volunteer program will involve much less mentoring and supervision than an internship, and is intended for people with specific, prior skills in the areas listed below. The volunteering program is not appropriate to those seeking to gain general experience in arts administration.
The volunteer program demands less of a time commitment than an internship. Instead, it is structured as a system of exchange whereby volunteers can accrue points towards free entry at events alongside reduced prices on workshops, membership, film stock, equipment hire and processing through offering their skills and time. We really want to hear from members, and people within the no.w.here community as well as new people to no.w.here*. We need a commitment of at least half a day a fortnight, and ideally a day a week from volunteers who have skills in any of the following areas:
• Maintenance of processor, projector, Steenbecks
• 16mm machine Processing
• Audio/video technical (event set up – in the evening)
• Camera operator (for recording events – in the evening)
• Video editing
• Public relations/press
• Critical writing/research
• Blog editorial
In cooperation with each volunteer we will write together a contract outlining the expectations and needs of the exchange, including the frequency and length of time agreed, and how the volunteering will be reciprocated for example towards a free workshop, use of equipment, processing, discounted stock or attendance at events.
We see the volunteer program as working as a transferable skills exchange. For example, if you had been volunteering a day a fortnight for 3 months on processing, when a new volunteer comes along who wants to assist in that capacity, you transfer your skills prior to them taking over. We hope this will also offer volunteers experience in cooperative teaching and learning. We expect all volunteers to be friendly and helpful to other lab users, contributing to a good working environment.
If you are new to no.w.here and interested in volunteering, the best thing to do is come to an event or workshop and speak to us about your interests and skills. That way, you can get to grips with what we do, and gain a better picture of how you can get involved.
* Please note that all volunteers will need to become a member of no.w.here, with a minimum of Associate Membership. Read more about no.w.here membership.
Within the open production space (the lab) no.w.here:
• Creates a space where artists can pursue an independent working practice.
• Encourages artists and filmmakers to work autonomously.
Enables access to film facilities that are run with a high level of professionalism.
• Passes on knowledge to artists about film materials, printing techniques, image and chemical manipulation, shooting and editing on film through these specialist workshops.
• Supports artists to shoot, edit and complete their films at minimum cost.
Equal opportunities policy
no.w.here is an equal opportunities organisation and does not discriminate on grounds of race, gender, or disability.
no.w.here believes in treating all people equally irrespective of race, ethnic origin, sex, martial or parental status, sexual orientation, creed, disability, age or economic background. We are committed to working with minorities in society through education, and encourages energy efficient practices and the recycling of goods and materials where possible.
no.w.here is committed to conserving resources and implementing good work practices which benefit the environment.